\u00c0 partir de mat\u00e9riaux photographiques existants, Coraline de Chiara construit sa propre histoire, de l\u2019ordre du journal intime. Par la s\u00e9lection et la juxtaposition d\u2019images r\u00e9minis- centes issues d\u2019univers vari\u00e9s (g\u00e9ologie, arch\u00e9ologie, encyclop\u00e9dies et livres d\u2019art, etc.), l\u2019artiste se r\u00e9approprie non seulement des cultures mais aussi l\u2019Histoire. Coraline de Chiara int\u00e8gre \u00e0 ses \u0153uvres les traces et annotations du geste de lecture. Cette d\u00e9marche historio- graphique, li\u00e9e \u00e0 la r\u00e9cup\u00e9ration de fragments culturels en voie de perdition, est un acte frondeur, \u00e0 contre courant du temps et des modes.<\/span><\/p>\n

Ce d\u00e9placement des termes est un mouvement r\u00e9current dans le travail de l\u2019artiste, \u00e0 travers ses marches, partie int\u00e9grante du processus de construction de ses \u0153uvres, pr\u00e9sentes dans ses s\u00e9ries \u00ab Friedrich Mercury\u00bb et \u00ab Merapiland \u00bb. Mais \u00e9galement par les assemblages des sujets de ses toiles, allers venues dans le temps et dans l\u2019Histoire. Les min\u00e9raux, fragments de p\u00e9riodes mill\u00e9naires, sont ainsi des acteurs ayant travers\u00e9 le temps et l\u2019espace, t\u00e9moins originels d\u2019\u00e9poques r\u00e9volues, se transformant en vanit\u00e9s. Cette collection min\u00e9ralogique est un rapport r\u00e9el au temps, \u00e0 l\u2019existence humaine, \u00e0 son h\u00e9ritage et \u00e0 notre finitude.<\/span><\/p>\n

\u00ab La collection figure le perp\u00e9tuel recommencement d\u2019un cycle dirig\u00e9, o\u00f9 l\u2019homme se donne \u00e0 chaque instant et \u00e0 coup s\u00fbr, […], le jeu de la naissance et de la mort \u00bb (Le syst\u00e8me des objets, Jean Baudrillard). Le passage \u00e0 la peinture permet un nouveau rapport au temps, affirme et ancre les collages dans une nouvelle dimension. La peinture devient liant et noue une composition d\u2019images associ\u00e9es, d\u00e9cloisonn\u00e9es, permettant sa r\u00e9activation.<\/span><\/p>\n

Based on existing photographic material, Coraline de Chiara constructs her own story, as one would a journal.\u00a0 By selecting and juxtaposing images from various worlds (geology, archeology, encyclopaedias and art books etc), the artist is appropriating\u00a0 both culture and history.\u00a0 Coraline de Chiara fuses traces and annotations, replicating the gesture of writing in her works. \u00a0 This historian approach, linked to the idea of recuperating cultural fragments that are disappearing, is a defiant act that goes against our time and fashions.\u00a0<\/span><\/p>\n

Displacement of forms is recurrent in the artist\u2019s practice. Walking and travelling play a key role in the construction process of her work, particularly in the series \u00ab\u00a0Friedrich Mercury\u00a0\u00bb and \u00ab\u00a0Merapiland\u00a0\u00bb.\u00a0 The same displacement is also applied through the pieces used in her collages, which also go backwards and forwards in time.\u00a0 Minerals and fragments from ancient times that have travelled through time and space play witness to past times, they become objects of vanitas.\u00a0 This collection of minerals has a real link with time, human existence, heritage and finiteness.\u00a0 The collection figures the perpetual rebeginning of a defined cycle, where man gives himself to every moment with certainty (\u2026), the game of life and death (The System of Objects, Jean Baudrillard).\u00a0 Painting allows for a new relationship with time, it affirms and anchors the collages in a new dimension.\u00a0 Painting becomes a binder that brings together a composition of associated images, that are decompartmentalised, allowing for them to be reactivated.<\/span><\/p>\n

\n","protected":false},"excerpt":{"rendered":"

\u00c0 partir de mat\u00e9riaux photographiques existants, Coraline de Chiara construit sa propre histoire, de l\u2019ordre du journal intime. Par la s\u00e9lection et la juxtaposition d\u2019images r\u00e9minis- centes issues d\u2019univers vari\u00e9s (g\u00e9ologie, arch\u00e9ologie, encyclop\u00e9dies et livres d\u2019art, etc.), l\u2019artiste se r\u00e9approprie non seulement des cultures mais aussi l\u2019Histoire. Coraline de Chiara […]<\/p>\n","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"footnotes":""},"_links":{"self":[{"href":"http:\/\/coralinedechiara.com\/wp-json\/wp\/v2\/pages\/235"}],"collection":[{"href":"http:\/\/coralinedechiara.com\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"http:\/\/coralinedechiara.com\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"http:\/\/coralinedechiara.com\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"http:\/\/coralinedechiara.com\/wp-json\/wp\/v2\/comments?post=235"}],"version-history":[{"count":9,"href":"http:\/\/coralinedechiara.com\/wp-json\/wp\/v2\/pages\/235\/revisions"}],"predecessor-version":[{"id":285,"href":"http:\/\/coralinedechiara.com\/wp-json\/wp\/v2\/pages\/235\/revisions\/285"}],"wp:attachment":[{"href":"http:\/\/coralinedechiara.com\/wp-json\/wp\/v2\/media?parent=235"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}